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Read e-book online The Microphone Book PDF

By John Eargle

The Microphone booklet is the one advisor you'll ever have to the newest in microphone expertise, software and approach. This re-creation positive aspects, extra on microphone arrays and instant microphones a brand new bankruptcy on vintage previous versions the most recent advancements in encompass elevated recommendation on studio manage, recording and mic choice more advantageous format for ease of reference much more illustrations. John Eargle presents specific research of the differing kinds of microphones to be had. He then addresses their software via functional examples of tangible recording classes and studio operations. encompass sound is roofed from either an inventive and a technical perspective. This vintage reference takes the reader into the studio or live performance corridor to determine how performers are located and the way the simplest microphone array is decided. areas of difficulty reminiscent of reflections, studio leakage and isolation are analyzed from functional viewpoints. inventive recommendations to such issues as stereo sound staging, standpoint, and stability also are lined intimately. Recording and sound reinforcement engineers in any respect degrees of craftsmanship will locate The Microphone publication a useful source for studying the why in addition to the how of selecting a microphone for any state of affairs. * the main entire consultant to be had, seriously illustrated with precious diagrams, charts and equations * A timesaving, one-stop reference overlaying either microphone know-how and useful tips about use and challenge fixing * Written via a hugely revered veteran and Grammy award winner

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Additional resources for The Microphone Book

Sample text

At B, the combination of air particle displacement and diaphragm resonance is shown. Between the ranges of diaphragm stiffness and mass control is the region of resonance; and for most studio microphones, this ranges from about 8–12 kHz. In most microphones, the resonance is fairly well damped so as not to cause an appreciable rise in response; perhaps no more than about 2 or 3 dB. Beyond resonance, the overall response of the microphone begins to roll off at a rate of 12 dB per octave; however, the on-axis response of the microphone tends to remain fairly flat over about half an octave above resonance, due to diffraction effects similar to those shown in Figure 2–14.

It is open on both sides of the diaphragm and is symmetrical in form. The equivalent physical circuit is shown at D. Here, there are two circles, one positive and the other negative, which are separated by the distance d. The significance of the negative sign is that sound pressure entering the back side of the microphone will be in polarity opposition to that entering from the front. The distance d represents the equivalent spacing around the microphone from front to back access to the diaphragm.

Aluminum, nickel, and titanium also have been used as diaphragm materials. Operating in parallel with the tension of the diaphragm itself is the added stiffness provided by the captured air behind the diaphragm. Both of these are necessary to maintain the high resonance frequency of the diaphragm assembly. A very small capillary tube connects the interior air mass to the outside, providing a slow leakage path so that static atmospheric pressure will equalize itself on both sides of the diaphragm under all atmospheric conditions.

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